| Title |
Premiere |
| Demetrio e Polibio |
Rome, Teatro Valle, May 18, 1812 dramma serio ; libretto by Vincenza Viganò Mombelli after Pietro Metastasio's Demetrio |
La cambiale di matrimonio
(The Bill of Marriage) |
Venice, Teatro San Moisè, November 3, 1810 farsa comica ; libretto by Gaetano Rossi, after Camillo Federici's play by the same title |
L'equivoco stravagante
(The Absurd Misunderstanding) |
Bologna, Teatro del Corso, October 26, 1811 dramma giocoso ; libretto by Gaetano Gasparri |
L'inganno felice
(The Happy Stratagem) |
Venice, Teatro San Moisè, January 8, 1812 farsa ; libretto by Giuseppe Foppa, after Giuseppe Palomba's libretto for Giovanni Paisiello's opera by the same title |
Ciro in Babilonia, ossia La caduta di Baldassare
(Cyrus in Babylon , also The Fall of Belshazzar) |
Ferrara, Teatro Comunale, March 14, 1812 dramma con cori ; libretto by Conte Francesco Aventi |
La scala di seta
(The Silken Ladder) |
Venice, Teatro San Moisè, May 9, 1812 farsa comica ; libretto by Giuseppe Foppa, after François-Antoine-Eugène de Planard's L'Échelle de soie |
La pietra del paragone
(The Touchstone) |
Milan, Teatro alla Scala, September 26, 1812 melodramma giocoso ; libretto by Luigi Romanelli |
L'occasione fa il ladro
(Opportunity Makes the Thief) |
Venice, Teatro San Moisè, November 24, 1812 burletta per musica ; libretto by Luigi Prividali |
Il Signor Bruschino, ossia Il figlio per azzardo
(Mr. Bruschine , or A Son by Chance) |
Venice, Teatro San Moisè, January 27, 1813 farsa giocosa ; libretto by Giuseppe Foppa, after Alisan de Chazet and E.-T. Maurice Ourry's Le fils par hazard |
| Tancredi |
Venice, Teatro La Fenice, February 6, 1813 melodramma eroico ; libretto by Gaetano Rossi, after Torquato Tasso's Gerusalemme liberata and Voltaire's Tancrède |
L'italiana in Algeri
(The Italian Girl in Algiers) |
Venice, Teatro San Benedetto, May 22, 1813 dramma giocoso ; libretto by Angelo Anelli, originally set, under the same title, by Luigi Mosca |
Aureliano in Palmira
(Aurelianus in Palmyra) |
Milan, Teatro alla Scala, December 26, 1813 dramma serio ; libretto by Gian Francesco Romanelli |
Il turco in Italia
(The Turk in Italy) |
Milan, Teatro alla Scala, August 14, 1814 dramma buffo ; libretto by Felice Romani |
| Sigismondo |
Venice, Teatro La Fenice, December 26, 1814 dramma ; libretto by Giueppe Foppa |
Elisabetta, regina d'Inghilterra
(Elizabeth, Queen of England) |
Naples, Teatro San Carlo, October 4, 1815 dramma ; libretto by Giovanni Federico Schmidt, after Carlo Federici's play based on Sophia Lee's The Recess |
| Torvaldo e Dorliska |
Rome, Teatro Valle, December 26, 1815 dramma semiserio ; libretto by Cesare Sterbini |
Il barbiere di Siviglia
(The Barber of Seville) |
Rome, Teatro Argentina, February 20, 1816 commedia ; libretto by Cesare Sterbini, after Pierre-Augustin Beaumarchais' Le Barbier de Séville and Giuseppe Petrosellini's libretto for Giovanni Paisiello's Il barbiere di Siviglia |
La gazzetta, ossia Il matrimonio per concorso
(The Gazette or The Marriage by Contest) |
Naples, Teatro dei Fiorentini, September 26, 1816 dramma ; libretto by Giuseppe Palomba, after Carlo Goldoni's play by the same title; revised by Andrea Leone Tottola |
Otello, ossia Il moro di Venezia
(Othello, or The Moor of Venice) |
Naples, Teatro del Fonda, December 4, 1816 dramma ; libretto by Francesco Berio di Salsa, after Shakespeare's Othello |
La Cenerentola, ossia La bontà in trionfo
(Cinderella, or Goodness Triumphs) |
Rome, Teatro Valle, January 25, 1817 dramma giocoso ; libretto by Jacopo Ferretti, after Charles Perrault's Cendrillon and probably both Charles-Guillaume Étienne's libretto for Niccolò Isouard's Cendrillon and Felice Romani's libretto for Stefano Pavesi's Agatina |
La gazza ladra
(The Thieving Magpie) |
Milan, Teatro alla Scala, May 31, 1817 melodramma ; libretto by Giovanni Gherardini, after Jean-Marie-Théodore Baudouin d'Aubigny and Louis-Charles Caigniez's La pie voleuse |
| Armida |
Naples, Teatro San Carlo, November 11, 1817 dramma ; libretto by Giovanni Federico Schmidt, after Torquato Tasso's Gerusalemme liberata |
Adelaide di Borgogna, ossia Ottone, re d'Italia
(Adelaide of Burgundy, or Ottone, King of Italy) |
Rome, Teatro Argentina, December 27, 1817 dramma ; libretto by Giovanni Federico Schmidt |
Mosè in Egitto
(Moses in Egypt) |
Naples, Teatro San Carlo, March 5, 1818 azione tragico-sacra ; libretto by Andrea Leone Tottola, after Padre Francesco Ringhieri's Sara in Egitto |
Adina, o Il califfo di Bagdad
(Adina, or The Caliph of Bagdad) |
Lisbon, Teatro de San Carlos, June 22, 1826 farsa ; libretto by Marchese Gherardo Bevilacqua-Aldobrandini, derived from Felice Romani's Il Califfo e la schiava |
| Ricciardo e Zoraide |
Naples, Teatro San Carlo, December 3, 1818 dramma ; libretto by Marchese Francesco Berio di Salsa, after Niccolò Forteguerri's Il Ricciardetto |
| Ermione |
Naples, Teatro San Carlo, March 27, 1819 azione tragica ; libretto by Andrea Leone Tottola, after Jean Racine's Andromaque |
| Eduardo e Cristina |
Venice, Teatro San Benedetto, April 24, 1819 dramma ; libretto by Giovanni Federico Schmidt, originally set to Stefano Pavei's Odoardo e Cristina ? revised by Andrea Leone Tottola and Marchese Gherardo Bevilacqua-Aldobrandini |
La donna del lago
(The Lady of the Lake) |
Naples, Teatro San Carlo, October 24, 1819 melodramma ; libretto by Andrea Leone Tottola after Sir Walter Scott's The Lady of the Lake |
Bianca e Falliero, ossia Il consiglio dei tre
(Bianca and Falliero, or The Council of Three) |
Milan, Teatro alla Scala, December 26, 1819 melodramma ; libretto by Felice Romani, after Antoine-Vincent Arnault's Les vénitiens, ou Blanche et Montcassin |
| Maometto II |
Naples, Teatro San Carlo, December 3, 1820 dramma ; libretto by Cesare della Valle, after Voltaire's Mahomet, ou Le Fanatisme |
Matilde di Shabran
(Matilde of Shabran) |
Rome, Teatro Apollo, February 24, 1821 melodramma giocoso ; libretto by Jacopo Ferretti after François Benoît Hoffmann's libretto for Étienne Nicolas Méhul's Euphrosine, ou Le Tyran corrigé , itself derived from Voltaire |
| Zelmira |
Naples, Teatro San Carlo, February 16, 1822 dramma ; libretto by Andrea Leone Tottola, after Dormont de Belloy's Zelmire |
| Semiramide |
Venice, Teatro La Fenice, February 3, 1823 melodramma tragico ; libretto by Gaetano Rossi, after Voltaire's Sémiramis |
Il viaggio a Reims, ossia L'albergo del giglio d'oro
(The Journey to Reims, or The Golden Lily Inn) |
Paris, Théâtre Italien, June 19, 1825 dramma giocoso ; libretto by Luigi Balocchi, after Madame de Staël's Corinne, ou L'Italie |
Le siège de Corinthe
(The Siege of Corinth) |
Paris, Opéra, October 9, 1826 tragédie lyrique ; libretto by Luigi Balocchi and Alexandre Soumet, a refashioning of Duca di Ventignano's libretto for Maometto II |
Moïse et Pharaon, ou Le passage de la Mer Rouge
(Moses and Pharaoh, or The Passage of the Red Sea) |
Paris, Opéra, March 26, 1827 opéra ; libretto by Luigi Balocchi and Étienne de Jouy, a refashioning of Andrea Leone Tottola's libretto for Mosè in Egitto |
Le Comte Ory
(The Count Ory) |
Paris, Opéra, August 20, 1828 opéra [oc]; libretto after a play by Eugène Scribe and Charles-Gaspard Delestre-Poirson, making use of numbers from Il viaggio a Reims |
Guillaume Tell
(William Tell) |
Paris, Opéra, August 3, 1829 opéra ; libretto Étienne de Jouy, Hippolyte-Louis-Florent Bis, and Armand Marrast, after Friedrich von Schiller's Wilhelm Tell |
