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Opera America Magazine4/1/2009

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Opera.ca recently awarded a total of $185,000 for the development and production of seven new Canadian operas through the Canadian Opera Creation Fund. Funding decisions are made by an independent panel of Canadians; the most recent panel met in Toronto in November and consisted of Mel Braun, baritone and educator, University of Manitoba; Sophie Galaise, general director of Orchestre symphonique de Québec; Morris Panych, playwright and dramaturge; and Canadian composers Abigail Richardson and James Rolfe.

Toronto’s Queen of Puddings Music Theatre received $10,000 toward the development of Svadba, to be composed by Ana Sokolovic with a libretto by Antoine Laprise.

Vancouver Opera received $15,000 for Lillian Alling, by composer John Estacio and librettist John Murrell.

Chants libres received $10,000 toward Alexandra, to be composed by Zack Settel with a libretto by Yan Muckle.

Pacific Opera Victoria received $15,000 for the development of Mary’s Wedding, by composer Andrew P. Macdonald and Wedding librettist Stephen Massicotte.

Soundstreams Canada of Toronto received $30,000 toward the June 2009 production of The Children’s Crusade by R. Murray Schafer, in partnership with Luminato and The Toronto Consort.

Toronto’s Tapestry New Opera Works received $30,000 for its May 2009 production of The Shadow, by Omar Daniel and librettist Alex Poch-Goldin.

Montreal’s Chants libres received $75,000 for their November 2009 production of Opéra Féerie, L’oiseau qui dit la vérité, by Gilles Tremblay, in partnership with Nouvel Ensemble Moderne (NEM).

“Supporting our members in the development and production of new operas is a priority for us,” says Christina Loewen, Opera.ca’s director of operations. “Through the Canadian Opera Creation Fund, we enhance the quality, quantity and creativity of new opera works, ensuring our art form remains vibrant, engaging and on the leading edge of creativity.”

Additionally, Opera.ca has launched a new initiative, Creative Connections, in collaboration with The Banff Centre and the Banff Opera Colloquium. Creative Connections is designed to foster team-building and shared learning in the sustained development of full-length Canadian operas. Four composer/ librettist/producer teams will be selected to participate in round-table and panel discussions; a one-week workshop process in Banff in summer 2009; and a final showcase presentation in February 2010 in which excerpts from the works in progress will be performed with orchestra. Creative Connections is made possible by funding from the George Cedric Metcalf Charitable Foundation.
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