Username:
Password:


Forgot your password?
View Photo Credit  
Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
Search the Archive
Search Field:
Search Term:
Media Type:

Top 10 Related Articles by Date Published
Article

Click here to learn more about becoming a Member level donor or organizational member.

To Promote the Expansion and Growth of the Art Form:
OPERA America and American Opera

Kelley Rourke
Opera America Magazine12/1/2009

When 17 opera companies came together to create OPERA America in 1970, they articulated a number of goals toward the advancement of the opera. However, it was not until the 1980s that field-wide momentum began to gather around new work.

In 1979, members voted to include a Composer-Librettist Showcase in conjunction with the organization’s annual conference. The first showcase took place in New Orleans in 1981. Fifty-two works were submitted for consideration; seven were chosen for concert presentation, followed by a discussion with composers, librettists and producers. A 144-page volume was published to accompany the showcase and seminar; in addition to a catalog of all the nominated works, it included essays on the state of contemporary opera production. The conversation had begun.

In the years that followed, OPERA America led several initiatives to promote the expansion and growth of the art form. Three landmark regranting programs lessened the financial risk and encouraged companies to add commissions or subsequent productions of American work to their seasons. The success of these programs eventually led to the creation of The Opera Fund, a growing permanent endowment dedicated to enhancing the quality, quantity and creativity of new opera and music-theater. The Opera Fund and its precursor programs have awarded nearly $11 million in funds to companies throughout North America in support of their efforts to expand and enrich the repertoire.

Spring 2014 Magazine Issue
  • From Gold Rush to Google
  • Before, After and During Opera Conference 2014
  • OPERA America's New Works Forum Expands and Explores
Contact Us
330 Seventh Avenue, New York, NY 10001
P 212-796-8620 • F 212-796-8621
Info@operaamerica.orgDirections
From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
(not including tip).
  • JFK - Take the AirTrain ($5 - approx. 15 minutes) to the Jamaica Street Station and transfer to the Long Island Railroad (LIRR). Take the LIRR to Penn Station ($12 - approx. 35 minutes). See Penn Station directions below.
  • LaGuardia - Take the M60 Bus to the Hoyt Ave/31st Street. Get on the or Train and take that to 42nd/Times Square Station. Follow the Times Square Station directions below.
  • Newark - Take the New Jersey Transit train to Penn Station ($15 - approx. 45 min). See the Penn Station Directions below.

From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
the right hand side.

From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
MTA Web site.