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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
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Made Possible, in Part, by the National Endowment for the Arts
Evan Wildstein, Manager of Education and Adult Learning Programs, OPERA America
Original Content1/29/2010

As the largest annual funder of the arts, the National Endowment for the Arts (NEA), has a long history with opera. Since its inception in 1965, the NEA has made more than 4,500 grants to opera companies, artists and organizations, totaling nearly $167 million. Many of these grants have assisted the creation or implementation of education, community and outreach programs. Throughout the past year, the NEA has made grant investments totaling nearly $2.1 million in support of opera projects, through two of the NEA's grant categories: Access to Artistic Excellence (AAE) and Learning in the Arts for Children and Youth (LITA).

Of the 62 AAE grants awarded in FY2010, more than half supported educational opportunities such as a lectures, in-school presentations, young artist programs or community events. For instance, Des Moines Metro Opera's educational touring troupe, Opera Iowa, will travel to over 70 schools presenting age-appropriate workshops and one-act operas. The Atlanta Opera will develop a program tailored for middle and high school students at area schools, as well as an educational touring production based on Mozart's Die Zauberflöte. A March spring break opera camp will be offered by Lyric Opera of Kansas City.

Spring 2014 Magazine Issue
  • From Gold Rush to Google
  • Before, After and During Opera Conference 2014
  • OPERA America's New Works Forum Expands and Explores
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