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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
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Canadian Opera Company puts on 15th annual 'Fine Wine Auction'
How much would you pay for a really good bottle of wine? In an phone interview on April 22, 2014 with Tracy Briggs, Senior Manager of Special Events at the Canadian Opera Company, one of the top wines being sold at the 15th annual Fine Wine Auction is being listed for $8,500. But Briggs was also quick to say that there would be plenty of choices for patrons with all different budgets and tastes.
John Shirley-Quirk, a Bass-Baritone and Specialist in Britten, Is Dead at 82
Margalit FoxThe New York Times
John Shirley-Quirk, a British chemistry teacher who almost by accident became a world-renowned bass-baritone, performing at the Metropolitan Opera and becoming known as an interpreter of Benjamin Britten, died on April 7, in Bath, England. He was 82.
San Diego Opera Board Meeting Leads To Shake Up In Leadership
Angela Carone |
A meeting of the San Diego Opera’s board of directors Thursday resulted in a shakeup in the organization’s top leadership spots. Board President Karen Cohn walked out of the meeting along with a group of other members. Another board member told KPBS that Cohn had resigned. Board member Faye Wilson also walked out early, as did opera director Ian Campbell. According to sources who did not wish to be named, roughly 30 of the board’s 50 members remain active with the group.
Many Groups Seek New Sources of Funds as Economy Recovers, Study Finds
Ben GoseChronicle of Philanthropy
Though many groups hoped the economic recovery would help shore up their finances, the study shows they are realizing that the financial downturn wasn’t the only source of their financial woes. As a result, they are trying to fashion new approaches to avoid relying so heavily on traditional sources of support like government grants and contracts.
Board Meeting Leads To Shake Up In San Diego Opera Leadership

There appears to have been a shake-up in the leadership of the San Diego Opera.

Karen Cohn, the chair of the opera board, walked out of a board meeting being held Thursday afternoon at a La Jolla hotel. Another board member told KPBS that she had resigned. Board member Faye Wilson also walked out early, as did opera director Ian Campbell.

Board pursues steps to save the opera
Pam KragenSan Diego Union-Tribune
At a chaotic board meeting in La Jolla, president Karen Cohn resigns, is replaced by Carol Lazier.
The Next Generation of Major Donors to Museums: Interview with David Gelles
Nina SimonMuseum 2.0
Last week's New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. The article both energized and frustrated me. I was excited to see coverage of an important issue of generational shift, but I was frustrated that it appeared to perpetuate traditional, clubbish standards of donor cultivation. I was curious to learn more about what was behind the article.
Could deal to save the opera be near?
Pam KragenSan Diego Union-Tribune
A sharply reduced budget, innovative programming and a list of donors who will step up if San Diego Opera’s current leaders are replaced might be enough to rescue the company from shutdown in two weeks, a board member said Tuesday. Carol Lazier, the San Diego Opera board member who pledged $1 million to save the company on April 4, said she and others will make that case to the full board on Thursday. She said she’s “hopeful” they can persuade the panel to grant a stay of execution.
Utah Opera Hosts 13th Annual Children's Opera Showcase Tonight
Opera News desk
Utah Opera will give local elementary school students a chance to take the spotlight to perform original operas in a professional theatre. The thirteenth annual Children's Opera Showcase will take place Tuesday, April 15, 2014, at 6:30 PM in the Jeanné Wagner Theatre located in the Rose Wagner Performing Arts Center (138 West 300 South).
Nicole Paiement: The Bright New Force of Opera Parallèle
Lisa HoustonSan Francisco Classical Voice
At a time when many performing organizations are struggling to stay afloat, and others are closing their doors altogether, there’s a young company in town gaining momentum: Opera Parallèle (or OP). It has found that audiences appreciate the opportunity to see modern works that are rarely performed or brand new, with high musical standards and casts composed of world-class singers. The company’s success is a reflection of its founder, artistic director, and conductor Nicole Paiement’s commitment to taking contemporary opera to the wider audience she so deeply feels it deserves. Paiement is a guest conductor with companies such as Dallas Opera and Washington National Opera, and is on the faculties of the San Francisco Conservatory of Music and UC Santa Cruz. As the director of the Blueprint Series at the Conservatory, she is actively involved in the commission and execution of new works. Later this month, she will conduct a new production of a double bill of Kurt Weil’s Mahagonny Songspiel [(1927) and Poulenc’s Les Mamelles de Terésias (1944) at the Yerba Buena Center for the Arts. In June, the company will present the American premiere of Anya 17, by British composer Andrew Gorb, which contains a plot having to do with sex trafficking in the European Union. 
San Diego Opera hires Mark Fabiani to handle crisis publicity
David NgLos Angeles Times
San Diego Opera has enlisted the spin expertise of Mark Fabiani -- the former deputy mayor of Los Angeles and former special counsel to President Bill Clinton -- to handle the company's public relations as it faces mounting criticism over its decision to shut down. A PR man with a long roster of prominent clients, Fabiani was an ascendant L.A. politician during the '80s. He served as the chief of staff under L.A. Mayor Tom Bradley and also took on the role of deputy mayor. Fabiani later served as special counsel to President Clinton, advising him on the Whitewater scandal and other matters.
Bored Assumptions about Boards and Fundraising
Laura ZabelSpringboard for the Arts Blog
What Are They Thinking? Using Online Assessment Tools to Improve Board Behavior
Erin WagnerArts Management & Technology Laboratory - Carnegie Mellon
Many arts organizations want to improve the functionality of their boards. But it is impossible to know areas of board strength and weakness if the experiences and efforts of board members are not understood. And without that understanding, it is nearly impossible for an organization to discern the best course of action for board improvement. 
Opera union seeks injunction
Greg Moran and David GarrickU-T San Diego
The labor union that represents singers and chorus members at the San Diego Opera is asking a federal agency to get an injunction freezing the company’s assets so that union members with contracts can be paid. The move by the American Guild of Musical Artists came on the same day that a group trying to keep the San Diego Opera alive lobbied the City Council on Tuesday to help join the fight. “We’ve calculated that the total economic loss to the community of the closure of this company would be close to $7 million,” said Nic Reveles, the opera’s director for education and outreach.
Operatic Drama Swells in Labor Talks at the Met
Michael CooperThe New York Times
As the latest labor talks at the Met have gotten off to their most contentious start in decades, replete with colorfully threatening emails and emotions running nearly as high offstage as on, it is beginning to look as if a little presidential intervention might come in handy again.
Can-do divas at the helm of S.F. Opera Guild
Catherine BigelowSF Gate
"Many guilds began as auxiliary offshoots of the parent company," Gockley said in a recent interview at the Opera House. "The men volunteered to serve on the board and raise the big money and the women did the cute stuff."

Founded in 1938 with 49 members who paid annual dues of $10, the Opera Guild's mission was to foster increased public interest in opera and development of an educational component to the art form.

"What's distinctive about our guild is they've stayed independent and evolved into a much more contemporary group of, predominantly, working people rather than, 'Ladies Who Lunch,' " Gockley said. "These are serious women, and a few men, who know how to get things done."
Opera board member donates million
James ChuteU-T San Diego
San Diego Opera board member Carol Lazier is stepping up. The company announced late Friday that Lazier, who is already a $500,000 donor to the opera’s 2014 season, is giving the company $1 million to allow it to explore other options and “encourage the board to rescind the dissolution vote.” The San Diego Opera’s board of directors, which last month voted to close April 14 after the final performance of the 2014 season, voted last week to extend that deadline until April 29.
Five Best Practices in Nonprofit Crowdfunding
Rob WuBeth's Blog
At CauseVox, We’ve helped thousands of people and nonprofits all over the world crowdfund for nonprofits and social good projects. In the early crowdfunding days, I helped launch a crowdfunding campaign with the American Red Cross and SXSW that raised $120,000 in 10 days.

Nonprofit crowdfunding is changing the landscape in online fundraising. As more and more donors are being exposed to crowdfunding for products and services, they’ll expect your fundraising to shift towards those approaches as well.

Here are five best practices that I’ve learned along the way that you need to follow in order to crowdfund successfully for your nonprofit.
The Business of Opera
Harold F. “Rick” Pitcairn IIBarron's
Running an opera has a lot in common with running a fixed income portfolio. That, at least, was one of the surprise lessons I picked up from Christopher Koelsch, the young, competent and impeccably dressed CEO of LA Opera. (Nickname: Mr. Prada.)
Chew On This: Operatic Mastication
Susanne MentzerThe Huffington Post
Opera lovers have been on the edge of their proverbial seats waiting to hear the latest about yet another company having trouble.
Drama At The San Diego Opera Enters Second Act
Angela CaroneKPBS
Directors of the San Diego Opera will meet today to address mounting concern among some on the board that they did not have adequate information — including an investigation of the opera’s management tactics — before voting two weeks ago to shutter the venerable institution.
San Diego Opera votes to postpone closure
James Chute San Diego Union-Tribune
Following a nearly five-hour emergency meeting, the San Diego Opera’s board of directors voted Monday to stop the clock on the opera’s looming liquidation.
How to Appreciate an Evening at the Opera
StaffMental Floss
If you think going to the opera means listening to a Viking wail in a language you don’t understand for three boring hours, think again. Here’s how to go further and actually appreciate it.
Musical or Opera? Stage Companies Are Drawing on Both Art Forms
David BelcherThe New York Times
When the Chicago Lyric Opera approached the company controlling rights for Rodgers and Hammerstein musicals about staging their Big Five works, it might have quietly made history. By blurring the lines even further in a major opera company repertoire, the move hints at a turning point in how opera companies and symphonies stage American musicals alongside traditional blood-and-guts opera.
San Diego Opera's Sudden Demise
Janos GerebenSan Francisco Classical Voice
Nobody outside the board of directors — voting 33 to 1 on March 19 for the dissolution of the San Diego Opera this summer — seems to have known that the future of company was in jeopardy. Reports say company members and San Diego Symphony musicians in the pit were stunned to learn of the decision.
Indianapolis Opera confirms cancellation, "challenges"
StaffIndianapolis Business Journal
The Indianapolis Opera said late Tuesday afternoon that it is canceling its fourth and final production of the season in the wake of "financial challenges."
San Diego loses a major opera company: Could it happen in Chicago?
Lewis LazareChicago Business Journal
Seemingly without warning, the San Diego Opera collapsed last week. The 50-year-old opera company in America's eighth-largest city became the second major American opera company to close its doors within just the past year. The famed 70-year-old New York City Opera folded last fall.

Could it happen in Chicago too?
Chicago opera scene hits high note with loyal audiences
Mary WisniewskiReuters
The plot summary of U.S. opera in recent years has unfolded like the last act of a Verdi tragedy: New York City Opera, dead; Opera Boston, dead; San Diego Opera, on its final aria.

The Chicago opera scene, however, is all up tempo.
San Diego Opera chooses a noble death
Jim ChuteSan Diego Union-Tribune
But given the company's financial condition, were there other options?
San Francisco Opera Looks to the Future, Eyes Wide Open
Janos GerebenSan Francisco Classical Voice
Lamenting the folding of the San Diego Opera as "a tragedy," the general director of the San Francisco Opera rallied his troops this evening, but pulled no punches about the challenges ahead.
San Diego Opera will close, in 'a sign of the times'
David NgCulture Monster (Los Angeles Times)
The San Diego Opera shocked many in the arts world by announcing it will cease operations at the end of the current season, citing a tough fundraising environment and weak ticket sales.
San Diego Opera votes to fold
James ChuteThe San Diego Union-Tribune
After 49 years, opera makes surprise move of quitting after 2014 season.
Wooing a New Generation of Museum Patrons
David GellesThe New York Times
Across the country, museums large and small are preparing for the eventual passing of the baton from the baby boom generation, which for decades has been the lifeblood not only of individual giving but of boardroom leadership. Yet it is far from clear whether the children of baby boomers are prepared to replicate the efforts of their parents.
San Diego Opera to call it quits at end of 2014 season
David NgCulture Monster (Los Angeles Times)

It will be curtains for the venerated San Diego Opera. In a surprising move, the company announced Wednesday that it will cease operations at the end of the current season, citing financial reasons including a tough fundraising environment and weak ticket sales. The company said its board made the decision Wednesday to avoid declaring bankruptcy and to be able to honor its remaining commitments.

San Diego Opera: Exiting with dignity — and mystery
U-T San Diego Editorial BoardThe San Diego Union-Tribune
The death of the San Diego Opera, after 49 years of world-class performances, is a shocking and tragic loss for San Diego. It is also a bit of a mystery.
An Italian Conductor Looks to U.S. Models
James PaneroThe Wall Street Journal
At the Teatro Regio Torino, the Turin opera house, Gianandrea Noseda has been the music director since 2007. The country's austerity measures, which hit hard over the past five years, have slashed state funding for cultural institutions. And in the birthplace of opera, where the government has traditionally provided lavish support for culture and the arts, many opera houses have had no choice but to curtail productions, limit artistic recruitment and training, and, in some cases, go dark.
Back from the Brink: How the Minnesota Chorale Bounced Back from an Orchestra Shutdown
Kelsey MenehanChorus America
What happens when a long-time relationship with an orchestra goes away—taking with it a third of your organization's income?  Shock, dismay, and then a determination to rally around your core mission.
Hawaii Opera Theatre Blends Old and New
Jolyn Okimoto Hawaii Business Magazine
The goal of HOT's new executive director, Simon Crookall, is to increase the audience for opera, especially among young adults.
BAM vies for City Opera's assets
Theresa AgovinoCrain's New York Business
The Brooklyn Academy of Music, The State University of New York at Purchase and the head of a small, struggling opera company have submitted proposals to the New York City Opera's board to take over the bankrupt nonprofit's assets and business, numerous sources said.
For now, Gotham Chamber Opera is happy to remain small yet significant
George GrellaNew York Classical Review
The obvious question to ask of Gotham Chamber Opera is also the wrong one, or perhaps the superfluous one: Can the company fill the void left by the collapse of New York City Opera last fall?
Fort Worth Opera cutting back 2015 festival, delaying world premiere
Scott CantrellThe Dallas Morning News
Citing money concerns, Fort Worth Opera will cut back its 2015 festival from four to three productions, indefinitely delaying the planned world premiere of American composer Libby Larsen’s A Wrinkle in Time.
Obama to nominate Jane Chu to chair National Endowment for the Arts
Katherine BoyleThe Washington Post
President Obama announced Wednesday that he plans to nominate Jane Chu as chair of the National Endowment for the Arts — a position that has remained vacant for more than a year.
Obama Nominates Kansas City Arts Leader for NEA Post
Tod JohnsonVariety
Jane Chu, president and CEO of the Kauffman Center for the Performing Arts in Kansas City, has been nominated by President Obama to serve as the next chair of the National Endowment for the Arts.
Minnesota Dance Theatre’s entire board steps down
Graydon RoyceStar Tribune
In a surprise announcement, the entire Minnesota Dance Theatre board resigned, saying “it is no longer able to serve the needs of the organization going forward.”
Knight Foundation awards $8M to support arts in St. Paul
Euan KerrMinnesota Public Radio
The St. Paul arts scene received a huge shot in the arm today when the Miami-based Knight Foundation announced an $8 million grant to institutions and individuals to support the arts.
Google Glass teams with Kansas City Symphony, Engage Mobile for video demo
Bob EvansGoogle Glass teams with Kansas City Symphony, Engage Mobile for video demo
Kansas City Symphony announced that four members of the Kansas City Symphony will make history on January 31, 2014, when they provide a first-person perspective of performing Beethoven’s famous Fifth Symphony using the latest technology from Google — Google Glass inside Kansas City’s premier concert hall, Helzberg Hall of the Kauffman Center for the Performing Arts.
Feisty Opera Impresario Regrets Lost Opportunity
Anthony TommasiniThe New York Times
“I have changed,” Gerard Mortier said immediately in an interview last week at Teatro Real, the opera company here. Until recently, he was its artistic director. He may be the most fiercely avant-garde impresario in opera. But by bringing up right away, in a cheerful voice, how different he looked, he was being typically gracious.

Nonprofits flunk online fundraising test
Todd CohenPhilanthropy North Carolina
Nonprofits are creating online hurdles for donors, and as a result are missing the chance to raise millions of dollars, if not billions, a new report says.

While online giving accounts for only about 6 percent of total charitable gifts, “charities put up unnecessary roadblocks to donors giving online,” Rick Dunham, president and CEO of Dunham+Company says in a statement.
OPERA America honors two St. Louisans in Trustee Recognition Awards
Sarah Bryan MillerSt. Louis Post-Dispatch

OPERA America, opera’s national service organization, has announced the recipients of its 2014 National Opera Trustee Recognition Award — and two of them are from St. Louis: Michael and Noémi Neidorff.

5 Things You Need to Know About Opera Before This Super Bowl
Jennifer RiveraThe Huffington Post
Some people seem to have a problem with the fact that there's an opera singer singing the National Anthem at the Super Bowl.... So here are several pieces of information you should know about opera before you see Renee Fleming belt out the national anthem Sunday.

Spring 2014 Magazine Issue
  • From Gold Rush to Google
  • Before, After and During Opera Conference 2014
  • OPERA America's New Works Forum Expands and Explores
Contact Us
330 Seventh Avenue, New York, NY 10001
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From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
(not including tip).
  • JFK - Take the AirTrain ($5 - approx. 15 minutes) to the Jamaica Street Station and transfer to the Long Island Railroad (LIRR). Take the LIRR to Penn Station ($12 - approx. 35 minutes). See Penn Station directions below.
  • LaGuardia - Take the M60 Bus to the Hoyt Ave/31st Street. Get on the or Train and take that to 42nd/Times Square Station. Follow the Times Square Station directions below.
  • Newark - Take the New Jersey Transit train to Penn Station ($15 - approx. 45 min). See the Penn Station Directions below.

From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
the right hand side.

From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
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