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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
North American Works Directory Listing
God Bless Us, Everyone
Thomas Pasatieri
Michael Capasso
John Nardolillo (Conductor)
Michael Capasso (Director)
John Farrell (Set Design)
Ildiko Debreczeni (Costume Design)
Susan Roth (Lighting Design)
Marc Embree (Scrooge)
Jonathan Hare (Tim Cratchit)
Catherine Clarke Nardolillo (Elizabeth)
Julie LaDouceur (Fan)
Willy Falk (Fred)
Jane Bunnell (Mrs. Cratchit)
Duncan Hartmann (Bob Cratchit)
Nicholas Provenzale (Beau)
December 16, 2010
Dicapo Opera Theatre
The story takes place twenty years after the events of A Christmas Carol; Scrooge has just died and everyone is two decades older. Tiny Tim has moved from England to the New World, and as so many immigrants, has served as a British mercenary in the Union Army during the American Civil War. Both Scrooge and Tim have suffered the loss of a young love early on in their lives. If A Christmas Carol was ultimately a story of redemption, Tim, in God Bless Us Everyone, cured through the late-blooming generosity of Scrooge, learns the lesson of forgiveness.
‘A Christmas Carol,’ the (Operatic) Sequel - The New York Times 12/17/2010
Length is not available.
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Summer 2014 Magazine Issue
  • Summer Apprenticeships
  • Opera Tours for Board Members
  • My First Opera by Speight Jenkins
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