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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
North American Works Directory Listing
The Wooden Sword
Sheila Silver
Stephen Kitsakos
Dr. David Lawton (Conductor)
Joachim Schamberger (Stage Director)
March 25, 2011
Stony Brook Univsersity
This folk tale of how a simple cobbler’s humility and cleverness provide insight for a mighty king is one of the world’s great archetypal stories. With origins in both Afghan and Jewish cultures, this operatic telling focuses on the powerful but anxious King Zamani who seeks to discover the secret of happiness from Hazim, the poor cobbler. Zamani, disguised as a wanderer, visits Hazim and his family at night and witnesses their joyful singing. The king then makes a series of decrees designed to reduce Hazim to despair, not believing that the cobbler can stay true to his simple philosophy — to trust in joy and not in fear. Hazim, unaware that he is being personally challenged, outwits the king’s obstacles at every turn.
Benefsha (soprano)
Hazim (tenor)
Anya (mezzo)
King Zamiri (baritone)
Guard (bass-baritone)
Prisoner
2 male compramario roles
01:10
Not Available
SATB chorus
Chamber orchestra - 11 players
Sheila Silver
Sheila.Silver@stonybrook.edu
http://www.sheilasilver.com/

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