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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
North American Works Directory Listing
The Wolf by the Ears
Dana Wilson
J. Robert Lennon
Dana Wilson
Brian DeMaris (Conductor)
David Lefkowich (Director)
Zach James (Thomas Jefferson)
Carami Hilaire (Sally Hemings)
Meghan Kelly (Martha Jefferson)
Steve Wilkins (James Hemings)
Nick Reynolds (John Adams)
Robyn Lustbader (Polly Jefferson)
Ryan Zettlemoyer (Franklin)
Tom Riley (Lafayette)
Carli Mazich-Addice (Maria Cosway)
Jason Peterson (James Callender)
Adiza Jibril (Slave Woman)
May 02, 2012
Ithaca College
This opera explores the relationship between Thomas Jefferson and Sally Hemings, his slave "mistress," within the many contradictory and hypocritical social structures of their time. Jefferson's considerable power yet inability to live his own ideals are what make him both tragic and enduringly human. Sally's ability to negotiate a meaningful life within the context of slavery exhibits her remarkable fortitude and resilience. 
 
Thomas Jefferson (baritone)
Martha Jefferson (mezzo soprano)
James Hemings (baritone)
John Adams (tenor)
Polly Jefferson (soprano or mezzo soprano)
Sally Hemings (soprano)
Franklin (bass/baritone)
Lafayette (tenor)
Maria Cosway (soprano or mezzo soprano)
James Callender (bass/baritone)
Slave woman (mezzo soprano)
2 small girls (Polly and Sally at around 6 yrs. old)--optional (if not used, their few lines in the opening scene should be deleted) 
 
2:00'
3
Rhythmic and polytonal with American Folk and African American / gospel / spiritual influences.
Not Available

Spring 2014 Magazine Issue
  • From Gold Rush to Google
  • Before, After and During Opera Conference 2014
  • OPERA America's New Works Forum Expands and Explores
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