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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
North American Works Directory Listing
Salsipuedes
Daniel Catán
Daniel Catán, Latin America's pre-eminent living composer, was born in Mexico City in 1949. A Sephardic Jew of Russian descent, he spent his first 14 years in Mexico, relocating to England to study philosophy and music. After several years at Sussex and Southampton, Catán moved to the United States, where he earned his Ph.D. at Princeton under the tutelage of Milton Babbitt. Having spent just as many years outside of Mexico as he had growing up there, he returned to Mexico City in 1977 to rediscover his Spanish-speaking roots, serving a term as Music Administrator at the Palace of Fine Arts. In 1994, San Diego Opera premiered his work Rappaccini's Daughter, launching an opera career in the United States that was sealed by the Houston premiere of Florencia en el Amazonas, the most popular new work the company has produced to date. In 1998 Catán won the Placido Domingo award from the Los Angeles Opera. Now a resident of Los Angeles, Catán is currently working on a new "comic" opera for the Houston Grand Opera, Las Bodas de Salsipuedes (Caribbean Wedding).

Although Catán studied under Babbitt, his own compositional voice is radically different, and his works incorporate the twelve-tone system only as occasional structural devices. Catán's music is composed for the heart and ear, and has been frequently labeled neo-Romantic or neo-Impressionist. Puccini, Strauss, Debussy, and Ravel are all names that frequently appear when people describe Catán's music; and though these are certainly apt comparisons, they should not detract from what is a very original and expressive voice. His melodies are rich and expansive, and often take some intriguing turns; drifting along like spun gold or rising into unforced and often blissful crescendos. His command of the orchestral palette is masterful, and his music fairly shimmers with delightful phrases and painterly surprises.

Primarily a composer of operas, his subject matter is frequently derived from "magical realism" and fantastical literature, and some of his sources have included Nathaniel Hawthorne, Octavio Paz, and Gabriel García Márquez.
Eliseo Alberto and Francisco Hinojosa
Guido Maria Guida (Conductor)
James Robinson (Director)
Allan Moyer (Set Designer)
Constance Hoffman (Costume Designer)
James F. Ingalls (Lighting Designer)
Joseph Evans (Gen. García)
Pablo Bracho (Sgt. Guzman)
Jonathan Green (Lieutenant)
James Maddalena (the Colonel)
Scott Hendricks (Chucho)
Chad Shelton (Ulises)
Laquita Mitchell (Orquídea)
Ana Maria Martinez (Lucero)
Zheng Cao (Magali)
Heidi Stober (La China)
October 29, 2004
Houston Grand Opera
The very same day Ulises and Chucho married Lucero and Magali, the dictator of the tiny Caribbean island of Salsipuedes had the terrible idea of declaring war on Nazi Germany. Inadvertently, the newlyweds find themselves in absurd and humorous situations, until they accidentally uncover a sinister plot that threatens to end their lives but ultimately reunites the couples in a more mature way.
Ulises(t)
Lucero(s)
Chucho(bar)
Magali(mz)
Colonel & Madame Colette(b-bar)
General Garcia(t)
Sergeant Guzman(non-singing)
El Chino(t)
Captain Magallanes(b)
Lieutenant(t)
La China and Orquidea(s,s)
Charles Ward, Houston Chronicle; Heidi Waleson, The Wall Street Journal
English translation by Shane Gasbarra
02:30
3
SAT Chorus (24 voices)
1 Female Dancer
^Dramma giocoso` accented with Caribbean dance rhythms
Associated Music Publishers, Inc.
257 Park Avenue South, 20th Floor
New York, NY 10010
pm@schirmer.com
212-254-2100
http://www.schirmer.com

Spring 2014 Magazine Issue
  • From Gold Rush to Google
  • Before, After and During Opera Conference 2014
  • OPERA America's New Works Forum Expands and Explores
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