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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
North American Works Directory Listing
The Dangerous Liaisons
Conrad Susa
Philip Littell
Colin Graham, Stage Director; Donald C. Runnicles, Conductor; Gerard Howland, Set Designer
Original cast: Marquise de Merteuil, Frederica von Stade; Vicomte de Valmont, Thomas Hampson; Madame de Tourvel, Renée Fleming; Madame de Volanges, Judith Forst; Madame de Rosemonde, Johanna Meier; Cécile de Volanges, Mary Mills; Chevalier de Danceny, David Hobson; others.
September 10, 1994
San Francisco Opera
Madame de Merteuil, angry that her former lover, Gercourt, is marrying the young Cecile (who is secretly in love with Danceny) persuades Valmont to seduce Cecile and "ruin" her as a bride. Hesitant at first, because of his attempted conquest of, and involvement with, the innocent Madame de Tourvel, Valmont agrees to Merteuil's request after she promises him sexual favors. Danceny is asked to depart after Cecile's mother is warned, by Merteuil, that the couple has been exchanging love letters. Merteuil writes to Valmont, detailing her many love affairs with men (including, she neglects to mention, the young Danceny). Valmont seduces Cecile, but finds he is genuinely falling in love with Tourvel. Valmont and Tourvel finally yield to their love. Act II begins with Merteuil's demands that Valmont break off his relationship with Tourvel. He does so cruelly and she is emotionally devastated, eventually retiring to a convent. Valmont finds Merteuil in bed with Danceny and realizes that she has no intention of keeping her part of the bargain. Valmont and Merteuil declare war on one another. Merteuil reveals to Danceny that Cecile has miscarried Valmont's child and Danceny challenges him to a duel. As Tourvel falls ill at the convent, Danceny mortally wounds Valmont. In his last moments, Valmont speaks of revenge: He asks Danceny to publish his letters, which incriminate Merteuil, and he declares his love for Tourvel. As Tourvel dies, she also bequeathes a box of letters to Madame de Volanges. As the letters circulate, society comments on the moral lessons to be learned from their contents. Merteuil is disgraced by the letters, yet, defiantly, she survives.
The Village Voice, Leighton Kerner, 9-27-94; The Wall Street Journal, David Littlejohn, 9-15-94; Chicago Tribune, Stephanie von Buchau, 9-13-94; The New York Times, James R. Oestreich, 9-13-94
02:50
Not Available
SATB Chorus
3 fl(picc), 3 ob(Eng hrn), 3 cl(bc), 3 bsn(cbsn), 4 hrn, 3 tpt(flhrn), 3 tbn, tba - tim, 3 perc, hrp, syn - str
Colorful orchestration; harmonically-based, chromatic, post-romantic language.
ECS Publishing
138 Ipswich Street, Boston, MA 02215-3534
office@ecspublishing.com
1-800-777-1919; 617-236-1935
http://www.ecspublishing.com
Schedule of Performances Listings
The Dangerous Liaisons (Susa)
Saturday, September 10, 1994 - San Francisco Opera

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