Later the Same Evening
Composer: John Musto
Composer Bio: John Musto is an American composer and pianist. As a composer, he is active in opera, orchestral and chamber music, song, vocal ensemble, and solo piano works. As a pianist, he performs frequently as a soloist, alone and with orchestra, as a chamber musician, and with singers.

Musto studied at the Manhattan School of Music. After graduation from the conservatory with a reputation as a pianist, his compositions began to draw increasing attention and frequent performances. His long association with such institutions as the New York Festival of Song (including serving as new music advisor), the Wolf Trap Opera Company, the Caramoor Festival, Copland House, the Miller Theatre at Columbia University, and the Moab Festival have given him stable bases of operation and numerous commissions.
Librettist: Mark Campbell
Librettist Bio: Mark Campbell is one of opera’s most sought after librettists. Recent productions include Volpone with Wolf Trap Opera, music by John Musto; with the University of Maryland and the National Gallery of Art, music by Musto; and Bastianello/Lucrezia with New York Festival of Song at Weill Recital Hall, music by Musto and William Bolcom. Notable musicals include Songs From An Unmade Bed with New York Theatre Workshop and Light Shall Lift Them at BAM. He has been the recipient of a Grammy nomination, three Drama Desk Award nominations, two Richard Rodgers Awards from the American Academy of Arts and Letters, a New York Foundation for the Arts Playwriting Fellowship, and a Kleban Foundation Award. Upcoming productions are: The Inspector (Wolf Trap, music by Musto); Silent Night (Minnesota Opera, music by Kevin Puts); and Rapphannock County (Virginia Opera, Virginia Arts Festival, University of Richmond, music by Ricky Ian Gordon).
Other Artistic Personnel: Glen Cortese, conductor
Leon Major, director
Erhard Rom, scenic designer
David O. Roberts, costume designer
Nancy Schertler, lighting designer
National Gallery Orchestra
Original Cast: Claire Kuttler (Elaine O'Neill)
Andrew Adelsberger (Gus O'Neill)
Melissa Schiel (Estelle Oglethorpe)
Onyu Park (Ruth Baldwin)
Eric C. Black (Ronaldo Cabral)
Jenna Lebherz (Thelma Yablonski)
Adam Hall (Jimmy O'Keefe)
Jenny Chen (Valentina Scarcella)
Premiere Date: November 15, 2007
Producing Company: Maryland Opera Studio
Description:

Inspired by Edward Hopper’s classic American paintings, this opera was written by contemporary composer John Musto and librettist Mark Campbell. The story reveals the hope, longing and love of characters in five Hopper paintings as they step out of their frames and come to life one night in 1932 New York.

Click here for more detailed information on this North American work.

Character List (Major): 11 singers
Reviews: Opera News Online, Nov 17, 2007
Washington Post, Nov 17, 2007
Washington Times, Nov 17, 2007
Wall Street Journal, Dec 6, 2007
Comments: Detailed Scene Breakdown

Scene 1: An apartment in New York

Elaine O’Neill sits at a piano and prattles about her day while figuring out the notes to “Whadayasay?” a song from the new Broadway musical, Tell Me Tomorrow, which she and her husband, Gus, are going to see that evening. Gus reads the paper and ignores her, occasionally interjecting remarks about the news and his job as an account manager for an advertising firm. Suddenly, they realize they have to get ready for the theater. When Gus leaves the room, Elaine admits to their estrangement, despite the idyllic appearance of their marriage from outside their apartment window. Gus reenters, begging off, and Elaine storms out. After she has left, Gus calls someone to meet him at his favorite bar, Clancy’s.

Scene 2: A hotel lobby

Estelle Oglethorpe waits nervously for Mr. Cabral to arrive–her first date since the death of her husband, James. She looks out the hotel lobby window to the busy street, which beckons her to move beyond her insular life in Greenwich.

Scene 3: A street

Gus looks forward to being at Clancy’s, away from his frustrations with his home life and job, where he manages, among others, the advertising account for Pearladent toothpaste.

Scene 4: A room in the Hudson Hotel for Young Women

Ruth Baldwin shuts off her radio, which is broadcasting the Pearladent jingle, and reads a letter she has just written to her boyfriend explaining that she is leaving him to move back home to Indianapolis after a failed career as a dancer. She finishes packing and stares out her one window for the last time. Ruth, Estelle, and Elaine (on her way to the theater), each convey their need to move on in their lives. Elaine leaves; Mr. Cabral arrives to accompany Estelle to the theater; Ruth shuts her suitcase and goes.

Scene 5: The Broadway theater where Tell Me Tomorrow is playing

Rose and Sheldon Segal arrive at their seats and bicker, while Valentina Scarcella, an elegant woman from Parma who speaks very little English, sits reading her program. Elaine arrives; behind her is Jimmy O’Keefe, a young man visiting from Lynchburg to whom she has given her extra ticket. The usher, Thelma Yablonski, shows them to their seats. Joe Harland enters and tells Thelma that he is awaiting the arrival of his girlfriend, a dancer, and that he intends to propose to her. Mr. Cabral and Estelle enter. As the theater’s houselights dim, Jimmy expresses his excitement about being in New York and at his first Broadway show. The overture to Tell Me Tomorrow strikes up, and, soon after, Joe runs out of the theater. In a truncated sequence, the members of the audience watch the musical, conveying in their faces what is happening onstage.

The houselights come up, and everyone files out of the theater. Valentina, in Italian, vents her frustration at not comprehending the musical she has just seen—or life in this strange new country.

Scene 6: The theater’s marquee

Elaine, Jimmy, Rose, Sheldon, Mr. Cabral, Estelle, and, later, Valentina are huddled under the marquee during a pounding rain. On another street, Joe, devastated by Ruth’s departure, clutches the letter he has just received from her. Ruth, on a train nearing Philadelphia, regrets leaving New York, while Jimmy decides he will move to the city. The various pairs leave, sharing a cab or walking into the night alone. Elaine is about to go when Gus, who has obviously been drinking, appears. He breaks down, telling Elaine about his feelings of inadequacy as a husband. After a beat, she takes him home, chattering about the show.

Scene 7: An automat

Thelma muses about her life and the odd excitement of the city. She is about to go home when Joe enters, telling her that his girlfriend has left him. He offers to buy her a drink, then a cup of coffee; Thelma has to get home. Joe asks if he can walk her to the subway. She says, “Yes.” The rain has ended.

882.jpg is a photo of Later the Same Evening
Video Clip:
Length: 01:15
Total Acts: 1
Orchestration: fl(picc), ob(Eng Hrn), 2 cl(bcl), bsn – 2 hrn, tpt, tbn(btbn) - 2 perc, pf - str
Contact: Peermusic Classical
Address: 250 W. 57th St., Suite 820, New York, NY 10107
E-mail Address: PeerClassical@Peermusic.com
Phone: 212-265-3910, x. 17
Composer Web Site: www.johnmusto.com
Publisher Web Site: http://www.peermusicclassical.com
Schedule of Performances Listings
Later the Same Evening (Musto)
Thursday, July 21, 2011 - Glimmerglass Festival
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