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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
National Opera Center
Administrator/Trustee Resources & Archives
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About the Archives
OPERA America’s comprehensive Archive, containing hundreds of articles, podcasts and videos, is a rich resource of information for artists, company staff and opera patrons alike.

The Archive contains articles from 1999 to the present, covering topics like fundraising, health, marketing, new works, performance skills, mentoring and finance, written by OPERA America staff and outside industry experts.

Podcasts and videos in the Archive provide invaluable access to OPERA America events such as the Annual Conference and Making Connections.

Full access to the Archive content is available only to OPERA America members. If you are not a member, please view the membership page to learn more.
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From the Archives Popular Administrative/Trustee Resources
Nonprofits and Copyrights: What You Need to Know
Kate Spelman, attorney, Cobalt LLP
There are two things to worry about with copyrights: protecting original material that your organization has created, and making sure that your organization isn't improperly using material that someone else owns. Blue Avocado asked copyright attorney Kate Spelman to help with these issues, and she generously gave all her expertise and time.

Kate Spelman is an attorney at Cobalt LLP in Berkeley, CA, with a national and international practice in copyright law. She has worked for Fortune 500 companies, as well as many nonprofits. She is a board member of the American Intellectual Property Law Education Foundation.
Advocacy & Public Policy Update
About OPERA America's Advocacy Efforts Latest News & Alerts
OPERA America represents the interests of the opera community before Congress, the White House and federal agencies. As a founding member of the Performing Arts Alliance, OPERA America works with the performing arts field to advocate for the development of national policies that recognize and strengthen the contributions that the arts make to America.

For more information on OPERA America’s advocacy activities, please contact OPERA America’s Government Affairs Office at 202-375-7523.
#Opera in 140 characters
Friday, April 18, 2014
Latest Video & Audio Additions
Visa Processing for Foreign Guest Artists
Jonathan Ginsburg and Andi Floyd, FTM Arts Law
Fundraising for Independent Artists
Dianne Debicella, program director, fiscal sponsorship, Fractured Atlas; Eve Gigliotti, mezzo-soprano; Anne Ricci, general managing diva, Opera on Tap
Taxing Foreign Artists
Robyn Guilliams, FTM Arts Law attorney, Larry Bomback, Director of Finance, OPERA America, Amy Fitterer, Director of Government Affairs, OPERA America
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Current Headlines
Lincoln Center to Rename Avery Fisher Hall
By Brian WiseWQXRTuesday, November 18, 2014
Lincoln Center said Thursday that it has reached an agreement to rename Avery Fisher Hall after a large donor as it prepares for a $500 million-plus gut renovation.
What We Learned From 'The Death of Klinghoffer'
By Brian LehrerWNYCTuesday, November 18, 2014
The Metropolitan Opera's production of "The Death of Klinghoffer" has generated praise and protest, with many boycotting the production. Before the opera's run ends this weekend, we explore the real events portrayed on stage, the history of art and controversy, and offer a critic's roundtable.
Townsend and Fresno Grand opera companies to partner
By Marijke RowlandThe Modesto BeeMonday, November 17, 2014
In what is hoped will be a precedent-setting artistic partnership, Modesto’s Townsend Opera and the Fresno Grand Opera are joining forces. Matthew Buckman, the current Townsend general and artistic director, has been named the next general director of Fresno Grand Opera. He will serve as the head of both groups, merging the two companies’ production seasons to share costs and increase reach. Both companies will remain separate entities, with their own board of directors, but will produce the same operas moving forward.
Opera Legend Martina Arroyo Helps Others to Raise the Bar
By Cheryl WillisNY1Monday, November 17, 2014
She helped break down racial barriers in the world of opera but soprano Martina Arroyo is still hitting the high notes with a new generation of singers.
Met Asks Stars to Share Fiscal Pain
By Michael CooperThe New York TimesThursday, November 13, 2014
The Metropolitan Opera, whose financial struggles led it to cut the pay of its orchestra, chorus, stagehands and other workers last summer after a labor battle, said Wednesday that it was also asking its solo singers voluntarily to lower their fees, including some of opera’s biggest stars.
[View All]

Fall 2014 Magazine Issue
  • Are Women Different?
  • Preparing for Klinghoffer
  • Emerging Artists: Act One


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Info@operaamerica.orgDirections
From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
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From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
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From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

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