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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
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Co-Production Handbook

Opera companies are constantly seeking to become more efficient in utilizing human and financial resources. An excellent way to realize this goal is through the creation of co-production relationships. Today, increased co-production, involving both standard repertoire and new operas, has become appealing to opera companies around the world.

In light of this interest, members of OPERA America’s Technical/Production Committee worked together to enumerate issues and concerns related to co-production. The OPERA America staff organized the resulting list into broad categories and gathered numerous co-production contracts from member companies. The resulting Handbook has been reviewed and updated by many opera professionals, including further evaluation by the Technical/Production Committee during the 2008-2009 season. Their suggestions have been incorporated and additional co-production contracts have been collected to make the Handbook as complete as possible.

You must be an OPERA America Professional Company Member to view this publication.

Note: Keep in mind that the examples in this handbook are meant to be illustrative only. This is not a complete or exhaustive list of contractual provisions, and parties interested in co-producing should seek the advice of qualified legal professionals.

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From Airport:
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From Penn Station/Madison Square Garden:
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From Grand Central Station:
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The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
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