Company:San Diego Opera Association
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Director & Conductor
DirectorCarlisle Floyd
Music DirectorKenneth Montgomery

Design Team
Costume DesignerA. Klein
Scenic DesignerGünther Schneider-Siemssen
performance datesmatinee
Friday, February 2, 1996
Monday, February 5, 1996
Thursday, February 8, 1996
Saturday, February 10, 1996
Friday, March 1, 1996
The Passion of Jonathan Wade
Composer: Carlisle Floyd

Librettist: Carlisle Floyd
The opera opens in Columbia, South Carolina at the end of the Civil War. It is 1865, and Columbia is a blackened ruin. Colonel Jonathan Wade, a Northern army officer, arrives in town and is greeted by a local judge, Gibbes Townsend, who invites him to dinner and introduces Wade to his daughter Celia, a war widow. Despite parental and societal objections due to the North and South conflicts, Wade and Celia begin to fall in love.

Later, at a party given by Judge Townsend as a gesture of conciliation, two guests, Lucas Wardlaw and Enoch Pratt, quarrel over the rights of newly freed slaves. Wade is caught in the verbal crossfire as guests express anti-Northern sentiments and denounce his views.

In 1866, an order comes from Washington demanding that the defeated Southerners take an oath of loyalty. Judge Townsend refuses, and is therefore forced to resign. Celia, on the other hand, takes the oath and Wade declares his love for her. As Wade and Celia kiss, Wardlaw discovers the couple together and threatens Wade with the vengeance of a vigilante group if he pursues the relationship further.

Colonel Wade appeals to Washington on Judge Townsend’s behalf but is unable to reverse the order; Townsend blames Wade, forbidding him to see Celia. Wade and Celia marry in spite of Townsend’s opposition, and the judge renounces his daughter. As a result, Wade finds his moderate position difficult to maintain. Pratt decides to have him replaced; Wade decides to desert the army and leave Columbia with Celia.

As the couple is leaving town a shot is fired, and Jonathan Wade dies in Celia’s arms. Various parties blame each other for his death. Finally, Celia says they are all culpable, and dreams of a time when their love might have flourished.

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