For Immediate Release
Contact: Patricia Kiernan Johnson;

April 19, 2006


Colorado Music Teacher Lost Her Job for Teaching Faust

New York, NY – April 19, 2006 - OPERA America, the national service organization for opera, announces that former Colorado music teacher, Tresa Waggoner, will be featured in the Saturday, May 6, 2006 (4:30 p.m.) closing session of Opera Conference 2006. Hosted by Seattle Opera, the annual gathering of opera professionals is the largest gathering of opera professionals in the world with more than 500 attendees expected from around the globe. Ms. Waggoner will be honored by the field as an advocate for opera in schools and for upholding her ethics in the face of adversity.

Ms. Waggoner sparked national attention earlier this year when she was placed on administrative leave, subsequently losing her job, after showing portions of a 33-year old opera video series titled “Who's Afraid of Opera?” to elementary schoolchildren in Bennett, Colorado, 25 miles east of Denver. The video featured soprano Dame Joan Sutherland and three sock puppets discussing Gounod's Faust . Waggoner hoped to use the video to illustrate the various voice types in opera to the classes. Faust, a legendary character in music and literature, dates back to a medieval morality tale of a deeply depressed man who sells his soul to the devil. The classroom study escalated into controversy when parents of several children in the class claimed that their children were traumatized by the video.

Originally, officials on the Bennett school board were supportive of Waggoner's attempt to bring opera into the classroom. Instead, they soon relieved her of her duties. Following the incident, scheduled performances by Opera Colorado at the school were cancelled.

Opera Colorado General Director Peter Russell said, “During her entirely surreal ordeal with the Bennett, Colorado , public school system, Tresa Waggoner, a wonderful ambassador and outreach artist for OC, remained a model of quiet dignity and courage. We are thrilled that OPERA America finds it appropriate to pay tribute to her commitment to introducing Colorado 's public school students to our art form, and to her grace under fire for attempting to do so.



OPERA America leads and serves the entire opera community, supporting the creation, presentation and enjoyment of opera.

  • Artistic services help opera companies and creative and performing artists to improve the quality of productions and increase the creation and presentation of North American works.
  • Information, technical, and administrative services to opera companies reflect the need for strengthened leadership among staff, trustees and volunteers.
  • Education, audience development and community services are designed to enhance all forms of opera appreciation.

Founded in 1970, OPERA America’s worldwide membership network includes nearly 200 Company Members, 300 Associate and Business Members, 2,000 Individual Members and more than 16,000 subscribers to the association’s electronic news service. In 2005, OPERA America relocated from Washington, D.C. to New York as the first step in creating the first-ever National Opera Center. With a wide range of artistic and administrative services in a purpose-built facility, the Opera Center is dedicated to increasing the level of excellence, creativity and effectiveness across the field.

OPERA America’s long tradition of supporting and nurturing the creation and development of new works led to the formation of The Opera Fund, a growing endowment which allows OPERA America to make a direct impact on the ongoing creation and presentation of new opera and music-theater works. Since its inception, OPERA America has made grants of nearly $11 million to assist companies with the expenses associated with the creation and development of new works.