Digital Program: Samantha Hankey in Conversation
Samantha Hankey, mezzo-soprano
Mezzo-soprano Samantha Hankey is lauded for her powerful stage presence and voice of “dusky focus and hypnotic allure” (The Times). In the 2023–2024 season, Hankey marks debuts at the Royal Opera House, as Dorabella in Così fan tutte; Detroit Opera, as the Fox in The Cunning Little Vixen; and Lyric Opera of Kansas City, as Santuzza in Cavalleria rusticana. She performs as soloist with Rundfunk-Sinfonieorchester Berlin and returns to the Metropolitan Opera as Stéphano in Roméo et Juliette and Opernhaus Zürich as Dorabella in Così fan tutte. Last season, Hankey appeared in Ainadamar at Scottish Opera, made debuts at the Santa Fe Opera and Lyric Opera of Chicago, performed her Carnegie Hall recital debut, and starred as Octavian in Der Rosenkavalier at the Met. She co-developed the lead roles in David Herzberg’s The Rose Elf and The Wake World.
Hankey received her Bachelor and Master of Music degrees from The Juilliard School. She is a winner of the Metropolitan Opera National Council Auditions and Dallas Opera Guild Vocal Competition, among other awards.
Marc A. Scorca, president/CEO, OPERA America
Marc A. Scorca joined OPERA America in 1990 as president and CEO. Since that time, the OPERA America membership has grown from 120 opera companies to 3,500 organizations and individuals. Under his leadership, OPERA America has administered two landmark funding initiatives in support of the development of North American operas and opera audiences and launched an endowment effort in 2000 to create a permanent fund dedicated to supporting new works and audience development activities. In 2005, Scorca spearheaded OPERA America’s relocation from Washington, D.C. to New York City and the subsequent construction of the National Opera Center, which opened in 2012 and serves 80,000 guests each year. The Opera Center’s recital hall was dedicated as Marc A. Scorca Hall in 2015 in honor of Scorca’s 25th anniversary with the organization.
Scorca has led strategic planning retreats for opera companies and other cultural institutions internationally, and has participated on panels for federal, state, and local funding agencies, as well as for numerous private organizations. He also appears frequently in the media on a variety of cultural issues. A strong advocate of collaboration, Scorca has led several cross-disciplinary projects, including the Performing Arts Research Coalition and the National Performing Arts Convention (2004 and 2008). He is currently a member of the U.S. delegation to UNESCO. Scorca serves as an officer on the boards of the Performing Arts Alliance and the Curtis Institute of Music, and is on the Music Advisory Board of Hunter College (CUNY). Scorca attended Amherst College, where he graduated with high honors in both history and music.
Acknowledgments
The 2023–2024 season of OPERA America Onstage is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Programming at the National Opera Center is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.