Digital Program: Deborah Brevoort and Stephanie Fleischmann in Conversation
Deborah Brevoort, librettist
Deborah Brevoort is best known for her play The Women of Lockerbie, which is produced internationally, and for numerous comedies and dramas produced at regional theaters across the U.S. An alum of American Lyric Theater’s Composer Librettist Development Program, Brevoort has written the librettos for nine operas. With composer Aleksandra Vrebalov, she wrote The Knock, a co-commission of The Glimmerglass Festival and Cincinnati Opera that was staged in Cincinnati in 2023. Brevoort’s other operas are Quamino’s Map with Errollyn Wallen; Murasaki’s Moon with Michi Wiancko; Embedded and Albert Nobbs with Patrick Soluri; Steal a Pencil for Me with Gerald Cohen; Dinner 4 3 with Michael Ching; and new adaptations of Mozart’s The Impresario and Strauss’ Die Fledermaus
Brevoort teaches in the Graduate Musical Theatre Writing Program at New York University and the M.F.A. playwriting program at Columbia University and also serves as the librettist mentor for Washington National Opera’s American Opera Initiative.
In 2023, Brevort was awarded the Campbell Opera Librettist Prize from OPERA America.
Stephanie Fleischmann, librettist
Stephanie Fleischmann is a librettist and playwright whose texts serve as blueprints for intricate three-dimensional sonic and visual worlds. Her “lyrical monologues” (New York Times), “finely tuned” opera libretti (Opera News), plays, and music-theater works have been performed internationally and across the U.S. She has written the libretti for the operas In a Grove with Christopher Cerrone; Medea and Poppaea with Michael Hersch; Dido with Melinda Wagner; Another City and The Long Walk with Jeremy Howard Beck; After the Storm with David Hanlon; Arkhipov with Peter Knell; and The Property with Wlad Marhulets. Her upcoming operas include The Pigeon Keeper (David Hanlon) at the Santa Fe Opera, Tevye’s Daughters (Alex Weiser) at American Lyric Theater, and My Other Me (Matthew Recio) at West Edge Opera.
In addition to her work in opera, Fleischmann has penned texts that have been set by composers Christopher Cerrone, Anna Clyne, Gity Razaz, Olga Neuwirth, and others, and has worked on numerous music-theater works.
In 2022, Fleischmann was awarded the Campbell Opera Librettist Prize from OPERA America.
Moderator | Noelle Deutsch, director of artistic operations, OPERA America
Acknowledgments
The 2023–2024 season of OPERA America Onstage is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, with additional support from Dr. Judith G. Wolf.
Programming at the National Opera Center is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.