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Video Published: 18 Feb 2025

World Opera Forum 2024 Topic II: Elevating Human Values

The worldwide pandemic shined the light on the urgency to reassess opera’s relationship with the people who bring the art form to life. Opera leaders have a history of inspiring audiences with transporting productions and virtuosic performances, but this success has taken place too often without sufficient regard for the well-being of the artists and artisans who make the work possible.

Opera leaders are called upon to examine and adjust long-standing policies and practices to retain and recruit staff in critical areas of operation and provide a responsible level of job security. The training of artists must prepare them to exercise agency in the progress of their own multifaceted careers. A sustained commitment to embrace new attitudes and values and create workplaces that affirm individual identities, promote social and racial justice, and assure safe and respectful work conditions is an essential basis for extending service to the public.

How can producers overcome inherited attitudes and adjust ingrained practices to improve conditions for artists and arts workers? How can artists be empowered as full partners in the opera enterprise? How can artists and arts workers thrive in the context of reduced productivity? Will changed values reshape the structure and operation of opera companies?

 Topic II: Elevating Human Values was originally presented at World Opera Forum in Los Angeles, CA, on Tuesday, June 4, 2024 at 2:00 p.m. and included the conversation recorded above, followed by breakout sessions which continued the conversation.

Featuring:
  • Paolo Bortolameolli, Orquesta Sinfónica Nacional Esperanza Azteca (Chile)
  • Deborah Brevoort, librettist and playwright (United States)
  • Danny Chen, Kuala Lumpur City Opera (Malaysia)
  • Joanne Cole, New Zealand Opera (New Zealand)
  • Timothy Long, Eastman School of Music (United States)
  • Tim O'Leary, Washington National Opera (United States)
  • Paolo Petrocelli, Dubai Opera (United Arab Emirates)
  • Jean-Pierre Primiani, Opéra de Montréal (Canada)
  • Henning Ruhe, Göteborg Opera (Sweden)
  • Yuval Sharon, Detroit Opera, The Industry (United States)
  • Robin Whiffen, Against the Grain Theatre (Canada)
  • Facilitator: Rebekah Diaz, director of IDEA initiatives and community engagement, Pittsburgh Opera
  • Co-Facilitator: Audrey Jungers, general manager, Opera Europa

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