Jeanine Tesori in Conversation
Fresh off her Tony Award win for Kimberly Akimbo, genre-bending composer Jeanine Tesori discussed her remarkable career in opera and musical theater at the opening event of OPERA America’s Onstage season. Tesori’s innovative work spans collaborations on Broadway with playwright Tony Kushner to her upcoming Metropolitan Opera debut with Grounded (libretto by George Brant). As the first woman composer to be presented at the Met in nearly a decade, Tesori is an inspiring role model for creators across genres. Watch Tesori and Marc A. Scorca, president/CEO of OPERA America, have an insightful conversation about Tesori’s career and contributions to the art form.
Featuring:
Jeanine Tesori, composer
Jeanine Tesori is a composer of musical theater, opera, and film. Her musicals include Kimberly Akimbo; Soft Power; Fun Home; Shrek The Musical; Caroline, or Change; Thoroughly Modern Millie; and Violet. She is a two-time recipient of the Tony Award for Best Score and a two-time finalist for the Pulitzer Prize for Drama, and in 2015, she and Lisa Kron became the first all-woman team to win the Tony for Best Score of a Musical for Fun Home. Her operas include A Blizzard on Marblehead Neck; The Lion, The Unicorn, and Me; and Blue, which received the MCANA Award for Best New Opera. For her opera Grounded, she became one of the first two women to be commissioned by the Metropolitan Opera — and the first woman in the 139-year history of the Met to open a season. Tesori also served as supervising vocal producer on Steven Spielberg’s West Side Story. Tesori is the founding artistic director of New York City Center’s Encores! Off-Center series and a lecturer in music at Yale University.
Marc A. Scorca, OPERA America President/CEO
Marc A. Scorca joined OPERA America in 1990 as president and CEO. Since that time, the OPERA America membership has grown from 120 opera companies to 3,500 organizations and individuals. Under his leadership, OPERA America has administered two landmark funding initiatives in support of the development of North American operas and opera audiences and launched an endowment effort in 2000 to create a permanent fund dedicated to supporting new works and audience development activities. In 2005, Scorca spearheaded OPERA America’s relocation from Washington, D.C. to New York City and the subsequent construction of the National Opera Center, which opened in 2012 and serves 80,000 guests each year. The Opera Center’s recital hall was dedicated as Marc A. Scorca Hall in 2015 in honor of Scorca’s 25th anniversary with the organization.
Scorca has led strategic planning retreats for opera companies and other cultural institutions internationally, and has participated on panels for federal, state, and local funding agencies, as well as for numerous private organizations. He also appears frequently in the media on a variety of cultural issues. A strong advocate of collaboration, Scorca has led several cross-disciplinary projects, including the Performing Arts Research Coalition and the National Performing Arts Convention (2004 and 2008). He is currently a member of the U.S. delegation to UNESCO. Scorca serves as an officer on the boards of the Performing Arts Alliance and the Curtis Institute of Music, and is on the Music Advisory Board of Hunter College (CUNY). Scorca attended Amherst College, where he graduated with high honors in both history and music.
This OPERA America Onstage event took place on Wednesday, September 18, 2024 at the National Opera Center in New York City.
This event is part of OPERA America Onstage, our signature public programming series that welcomes artists, students, and opera audiences for intimate performances and conversations with our industry’s leading artists and rising talent. Learn more and see what's next at OPERA America Onstage.
Looking for more opera in your life? Check out the National Opera Calendar to find out what's on stage near you.
The 2024–2025 season of OPERA America Onstage is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Programming at the National Opera Center is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.