Login

Login failed. Please try again.

Article Published: 13 Oct 2022

Picking Up Steam

Despite incremental gains in recent years, BIPOC individuals remain significantly underrepresented in the ranks of American opera companies. OPERA America’s first-ever Field-Wide Demographic Report, released this summer, revealed that BIPOC administrators hold only 18 percent of senior-level administrative positions at opera companies, and just under 21 percent of administrative positions overall — compared to a U.S. population that is 42 percent BIPOC.

Like more and more initiatives across the country, OPERA America’s Mentorship Program for Opera Leaders of Color seeks to address this imbalance and advance racial equity in the field. Launched last year with guidance from OPERA America’s Racial Justice Opera Network Steering Committee, the mentorship program pairs BIPOC professionals with executive-level leaders who can support them in achieving their career goals.

The program’s second annual cohort, announced in August, consists of three mentee/mentor teams. The pairs will come together for remote and in-person mentoring sessions over the next year, including this May at Opera Conference 2023 in Pittsburgh. The mentors will help the mentees establish action plans for their professional growth and long-term career trajectories.

“The Opera Leaders of Color program connected me with not just one-on-one guidance, but an entire network of BIPOC administrators,” says Jaime Sharp, a 2021 mentee and the communications and publications manager for Grantmakers in the Arts. Sharp, also the former president and CEO of Opera NexGen, adds: “My experience has helped me develop realistic insight on my personal career trajectory and on how to face obstacles that stand in my way.”

2022 Mentorship Teams

Dorian Block (mentee)
Social Media Manager, The Dallas Opera

Dorian Block (née Salomé Block) is a trans-masculine individual of Hispanic and Native American heritage who, in his role at The Dallas Opera, works closely with the company’s Equity Cohort to center diversity in social media communications. Block began his communications career as an AmeriCorps Vista Members, working with nonprofits and the mayor’s office in Santa Fe, New Mexico.

Rebekah Diaz (mentor)
Founder and Principal Consultant, Diaz Inclusion Consulting; Director of IDEA Initiatives and Community Engagement, Pittsburgh Opera

A certified diversity executive, Rebekah Diaz runs Diaz Inclusion Consulting, an EDI consultancy that provides workshops and strategic planning for arts organizations, and oversees IDEA initiatives and community engagement at Pittsburgh Opera. In addition, she serves as an arts equity specialist for OPERA America’s New Works Forum and is a co-founder of Pittsburgh Arts Administrators of Color.

Malikha Mayes (mentee)
Development Database and Membership Manager, The Dallas Opera

Malikha Mayes is a soprano and arts administrator whose career focuses on cultural representation both onstage and behind the scenes. At The Dallas Opera, she works as a member of the Equity Cohort to facilitate discussions and practices concerning equity and belonging in the development department and beyond. Mayes holds a Master of Music in vocal performance from the San Francisco Conservatory of Music.

Afton Battle (mentor)
General and Artistic Director, Fort Worth Opera

Afton Battle joined Fort Worth Opera as general and artistic director in 2020. She previously held development roles at the New York Theatre Workshop, Joffrey Ballet, and the National Museum of Mexican Art in Chicago, in addition to consulting for organizations like Red Clay Dance Company and the National Black Theatre. Battle is a board member of OPERA America.

 

Timmy Yuen (mentee)
Senior Human Resources Generalist, San Francisco Opera

After 14 years directing one of Northern California’s premier circus summer camps, Camp Winnarainbow, Timmy Yuen joined San Francisco Opera’s education department in 2016 to manage its Opera ARIA school programs. Yuen then served three years in finance, where he managed payroll, and he’s now working to better the employee experience in SFO’s human resources department.

Matthew Ozawa (mentor)
Chief Artistic Administration Officer, Lyric Opera of Chicago

At Lyric Opera of Chicago, Ozawa oversees five departments and all of the company’s artistic planning, processes, and activities. Previously, he served as an assistant professor of music at the University of Michigan and as founder and artistic director of Mozawa, a Chicago-based arts incubator. Ozawa has directed opera productions at leading houses around the world.